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Manna Dey's Bengali songs: 14 to start with

Fourteen of Manna Dey's Bengali songs, from Abar Habe To Dekha in 1964 to a Nazrul song in the 1979 Devdas, in year order, with who wrote and tuned each one where the label names them. Every one plays on this page.

Rajib SenPublished

In this post (6)

A boy from Calcutta. Seventy years of singing, much of it in Bombay's studios. And a voice you can still hear on a Sunday morning, from somebody's radio across the lane. Manna Dey sang in Hindi for Raj Kapoor and in Bengali for Uttam Kumar, but the Bengali songs are the ones families keep. 24 October 2026 marks thirteen years since he died in Bengaluru. This is where we would begin.

Who was Manna Dey?

Manna Dey was born Prabodh Chandra Dey in Calcutta on 1 May 1919. His teacher and mentor was his uncle, K. C. Dey, a singer and music director who had also taught the young S. D. Burman, and who moved to Bombay in 1942. The nephew went with him. His first film song that year was for Tamanna, with K. C. Dey's music, a duet with Suraiya. He stayed in Bombay, but from the 1950s his Bengali records gave Bengal its singer back.

The honours came in two waves, thirty-four years apart: the Padma Shri in 1971, the Padma Bhushan in 2005, the Dadasaheb Phalke Award in 2007. At the 18th National Film Awards, for the films of 1970 and given in 1971, he was named Best Male Playback Singer for a Bengali film, Nishi Padma, and a Hindi one, Mera Naam Joker.

1964 to 1966: the Pulak Bandyopadhyay songs

The lyricist who shaped his Bengali sound was Pulak Bandyopadhyay, a Salkia man twelve years younger than him. Pulak wrote him conversation rather than poetry: a man talking to someone who is leaving, or has left, or might come back. Manna Dey sang it as if he were still in the middle of the conversation.

3:27

Abar Habe To Dekha

Saregama Bengali

1964. Pulak Bandyopadhyay's words, Ratu Mukherjee's tune, on Saregama. A goodbye that refuses to be one. Three and a half minutes, and our first pick.

More in the Purono mood

3:21

Hridayer Gaan Shikhe To Gaay Go Sabai

Saregama Bengali

1965, the same pair: Pulak and Ratu Mukherjee. Everyone learns the heart's song, says the title; listen for the rest.

More in the Purono mood

3:16

Ke Pratham Kachhe Esechhi

Saregama Bengali

1966, Pulak Bandyopadhyay again. The argument of every couple ever, set to music: who came closer first? From Saregama's collection of sixties Bengali hits.

More in the Purono mood

1967: Antony Firingee and the jalsaghar

In 1967 he sang for Uttam Kumar in Antony Firingee, the life of Anthony Firingee, the nineteenth-century kobiyal of Portuguese origin who took on Bengal's poets in their own sung duels, wrote agomoni songs, and helped build the Firinghi Kalibari in Bowbazar. Ami Je Jalsaghare is from the film, and so is Ami Jamini Tumi Shashi Hey, below. Nearly forty years later he gave his memoir almost the same words for a title: Jiboner Jalsaghore, published by Ananda in 2005. The echo is hard to read as chance.

3:43

Ami Je Jalsaghare

Angel Bengali Songs

From Antony Firingee (1967), with Uttam Kumar on screen. Gauriprasanna Mazumder wrote it and Anil Bagchi set it. The chandelier light of a music room, in under four minutes.

More in the Purono mood

3:16

Ami Jamini Tumi Shashi Hey

Saregama Bengali

Also 1967. I am the night and you the moon: an old-fashioned compliment he sings with a straight face and a smile you can hear.

More in the Purono mood

1968 and 1969: the songs people sing along to

These are the ones a room joins in on. Notice how often the subject is somebody missing: an address not kept, a friend begged not to send someone away, a love that may have been meant for someone else.

3:16

Ami Taar Thikana Rakhini

Saregama Bengali

1968. I did not keep her address: the whole regret is in the title. Three and a quarter minutes.

More in the Purono mood

3:24

Lalita Go Oke Aaj Chole Jete Bol Na

Saregama Bengali

1969. A plea to a friend, Lalita: don't tell him to go today. The refrain is the part everyone knows.

More in the Purono mood

3:22

Hoyto Tomari Janya

Saregama Bengali

1969. Perhaps it was for you: a love song that is not quite sure of itself, which is why it works.

More in the Purono mood

3:13

Jibone Ki Pabo Na

Saregama Bengali

1969. Will I never have it in this life? Saregama's track list pairs it with Ke Tumi Nandini. Just over three minutes.

More in the Purono mood

The seventies: tenderness, a country, and Nazrul

3:41

Tumi Anek Jatno Kore

Manna Dey Bengali Songs

1974. The uploading channel credits the tune to Manna Dey himself. With so much care, the title says, and the rest of the line is the sting. Tenderness and reproach in one breath, a very Bengali thing for a song to do.

More in the Purono mood

4:13

Ke Tumi Tandraharani

Saregama Bengali

1978. Pulak Bandyopadhyay's words to Prabhas Dey's tune: who are you, stealer of my sleep? Four minutes, on Saregama.

More in the Purono mood

3:21

Bharat Amar Bharatbarsha

90s Kid Prime

1978, and a different Manna Dey: the patriotic song. Keep it for the morning of 15 August. It lives in our Desh mood.

More in the Desh mood

He sang Nazrul too. The Bengali Devdas of 1979, directed by Dilip Roy, has him sing a Nazrul song.

4:16

Jedin Labo Biday

Saregama Bengali

Kazi Nazrul Islam's words and tune, in Devdas (1979), on Saregama: the day I take my leave. Four minutes. Play it last, or not at all on a bad day.

More in the Purono mood

One more, with no year on its label: Khub Jante Icha Kare, Mukti Roychowdhury's words and Prabhas Dey's tune, from the Saregama album Chayanika. I badly want to know, the title says, and the song tells you what. Keep it for the evening.

4:00

Khub Jante Icha Kare

Saregama Bengali

Four minutes, on Saregama. A quiet song.

More in the Purono mood

What is not on this list, and why

The obvious gap is Coffee Houser Sei Addata: Gauriprasanna Mazumder's words, Suparna Kanti Ghosh's tune, recorded in a Mumbai studio and released in 1983 (some sources say January 1982), the song College Street's adda still claims as its own. We do not carry it yet. The same goes for Ami Sri Sri Bhajahari Manna (1969) and Sabai To Sukhi Hote Chay (1982).

For the rest of that era, Hemanta, Shyamal Mitra, Kishore and Lata among them, our old Bengali songs list picks up where this one stops. And if you are here for the Puja days, the Durga Puja songs post has the dhak.

He recorded songs for seventy years and outlived Pulak Bandyopadhyay by fourteen. What remains is the thing he did in every one of these fourteen: he sang to one person at a time. Put Abar Habe To Dekha on, and see who in the house starts humming first.

References (8)
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